Working primarily with paper & clay, but also wood & metal, I begin with a simple action - a tear, a drilled hole, an ink wash. Each move demonstrates a willingness to let go of expectation, trusting that something unforeseen will emerge.

I gravitate towards surfaces and phenomena that speak of transformation: light dancing across water, shadows shifting across a surface, coastlines worn by the surf, moss gathering in the cracks of stone. There's a quiet equilibrium that I am chasing - a kind of stillness that holds tension, like holding two opposing forces at once, the moment when something feels like it could either fall apart or hold together.